Assembling an ensemble is like stringing words together to form a sentence. In the best of situations, the resu ltant fashion phrase is a wel l-calibrated combination of references that inspired the design process in the first place. M ixing d ra stically d ifferent colors can punch up a look. Blending more harmonious shades will result in a gentler touch. At either end of the spectrum or a nywhere in between, color should a lways a l lude to the i mpact the designer wishes to have on his a udience. The interplay of textu res and patterns can also be used to stim u late or relax the person wea ring those specific garments. Finding the right balance between different s ha pes is an i mportant factor, whether the designer wants the com plete look to have a reserved silhouette or one with d ra matic flair. O rnament can be sca led to different proportions so that it has the desired effect. The lack of it can be just as bold in its a usterity. Designers need to consider that these sets of garments will not exist in a vacuum, and they need to make their mark on the observer-the client's circle, the media, and the general public. Every designer has the abil ity to make clear statements of style with every composition.
Tuesday, 21 January 2020
Assembling an ensemble is like stringing words together to form a sentence. In the best of situations, the resu ltant fashion phrase is a wel l-calibrated combination of references that inspired the design process in the first place. M ixing d ra stically d ifferent colors can punch up a look. Blending more harmonious shades will result in a gentler touch. At either end of the spectrum or a nywhere in between, color should a lways a l lude to the i mpact the designer wishes to have on his a udience. The interplay of textu res and patterns can also be used to stim u late or relax the person wea ring those specific garments. Finding the right balance between different s ha pes is an i mportant factor, whether the designer wants the com plete look to have a reserved silhouette or one with d ra matic flair. O rnament can be sca led to different proportions so that it has the desired effect. The lack of it can be just as bold in its a usterity. Designers need to consider that these sets of garments will not exist in a vacuum, and they need to make their mark on the observer-the client's circle, the media, and the general public. Every designer has the abil ity to make clear statements of style with every composition.
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